Reviews
Tanou
There are few more ancient instruments than Mali’s six-stringed, individually bowed n’dan, or ‘traveller’s harp’. Fewer still whose existence is...
Reviewed by Michael Quinn in issue: April/2024
Intizar
Mohammad Motamedi & Rembrandt Trio
When I visited the national Fajr Music Festival in Tehran for the first time, I walked into a performance by...
Reviewed by Neil van der Linden in issue: April/2024
1325 Ibn Battutah
Following a near 14-year break, Syriana return with their first full-length album since 2010’s acclaimed debut The Road to Damascus....
Reviewed by Charlie Cawood in issue: April/2024
Ki Moun Ou Ye
Nathalie Joachim, a Juilliard alum and Grammy-nominated classical flautist, undergoes a distinctive musical evolution in her second album, Ki Moun...
Reviewed by Lucy Hallam in issue: April/2024
If Only I Could Hibernate
This release is the soundtrack to the film If Only I Could Hibernate by Mongolian director Zoljargal Purevdash. It had...
Reviewed by Michael Ormiston in issue: April/2024
Bin Dilde
‘Flower Taxi’ in English, present their second album, which means ‘in a thousand languages.’ Singer Selin Dettwiler, of Turkish-Kurdish background...
Reviewed by Tom Newell in issue: April/2024
20 Sonneurs In C
Terry Riley’s ‘In C’ is one of the early landmarks of American minimalism, composed in 1964 and first performed on...
Reviewed by Simon Broughton in issue: April/2024
Onaida
Dutch-born singer and percussionist Natascha Rogers released ‘O Baba’ as the first single from this album, With its strong Yoruba...
Reviewed by Tom Newell in issue: April/2024
A Tablanaut’s Journey
Hear the tabla like you’ve never heard it before! This may seem a bold claim for an instrument central to...
Reviewed by Liam Izod in issue: April/2024
