Reviews
Al Qantara: The Bridge
Southern Morocco has become a hot-house of cultural fusion, partly due to the number of foreign musicians playing and working...
Reviewed by Peter Culshaw in issue: October/2014
Folk Singer Vol 1
So-called ‘folk revivals’ come and go as regularly as the seasons, for this is music that never dies or fades....
Reviewed by Nigel Williamson in issue: October/2014
London Calling
The occasionally forced-sounding jollity of some klezmer might make it a bit of an acquired taste for many, but this...
Reviewed by Jon Lusk in issue: October/2014
Music of the Santal Tribe: Field Recordings by Deben Bhattacharya
This album not only has some wonderful music but is also a valuable ethnographic and historical record of the culture...
Reviewed by Maria Lord in issue: October/2014
Éthiopiques 29: Mastawesha
These two latest releases from Buda are in some respects polar opposites, though connected by a common theme. One is...
Reviewed by Chris Menist in issue: October/2014
The Don Ca Tai Tu: Chamber Music of the Mekong Delta
In 2013 the southern Vietnamese chamber music genre don ca tai tu was officially recognised as intangible cultural heritage by...
Reviewed by Barley Norton in issue: October/2014
17 Golden Greats
The liturgical chanting of the Tibetan monasteries is one of the great ‘endangered species’ of cultural preservation in Tibet, so...
Reviewed by Tom Hamilton in issue: October/2014
A Handful of Sky
This is a pair of musicians steeped in the folk music and traditions of the south-west – Becki Driscoll comes...
Reviewed by Tim Cumming in issue: October/2014
The Call
In the two years since the release of their duo debut, The Queen's Lover, guitarist Russell and fiddle-player Algar have...
Reviewed by Kevin Bourke in issue: October/2014
