On the plus side, this is a substantially more satisfying compilation than the now-deleted 2005 collection of the same name....
Reviewed by Michael Quinn in issue: October/2014
It's hard to believe it's been 11 years since Martyn Bennett's Grit was first released. The last album recorded before...
Reviewed by Billy Rough in issue: October/2014
It's encouraging to be reviewing another authentic Native American recording: while it's not exactly a glut, there is certainly much...
Reviewed by James Lascelles in issue: October/2014
Born in Sweden from a Turkish family, saxophonist Ilhan Ersahin works hard creating and promoting new sounds and events in...
Reviewed by Francesco Martinelli in issue: October/2014
This multi-talented composer, producer and musician emerges from the same British Asian mould as Nitin Sawhney and Talvin Singh and...
Reviewed by Nathaniel Handy in issue: October/2014
Vedic chanting – mantras sung in the original Sanskrit – is one of the most beautiful, stimulating, and transcendental musical...
Reviewed by Martin Sinnock in issue: October/2014
Forró is Brazil's wildest, wackiest and most wonderful rhythm. The musicologists trace its form to the Portuguese court and its...
Reviewed by Chris Moss in issue: October/2014
With Largo da Memória (Coast of Memory), Ribeiro confirms himself as one of the most distinctive artists in the new...
Reviewed by Michael Macaroon in issue: October/2014
An Ireland-based, Austrian-born fiddle player and composer, Schwab's solo debut comes after globe-hopping collaborations with the likes of Austrian string...
Reviewed by Kevin Bourke in issue: October/2014
Less than 20 years ago, a representative of the Palestinian National Authority in London warned me that “there wasn't much...
Reviewed by Bill Badley in issue: October/2014
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