A galloping, multicoloured horse brightens the cover of Saulem Ai (My Beloved), an appropriate emblem for the music of this...
Reviewed by Tim Woodall in issue: Apr/May/2014
Like an Americanised version of Pentangle, Elephant Revival apply Superior instrumental acumen, idiosyncratic style, and a knack for compelling writing...
Reviewed by Doug Deloach in issue: Apr/May/2014
Think of this as a time capsule. But not just any time capsule. This is more like a 10kg, bunker-busting...
Reviewed by Doug Deloach in issue: Apr/May/2014
For his second full-length album, Marseille-based urban poet Ahamada Smis has pointed his musical compass towards the country of his...
Reviewed by Jim Hickson in issue: Apr/May/2014
The long hill in question happens to be found in the Sussex countryside, where these musicians live. Yet the band...
Reviewed by Nathaniel Handy in issue: Apr/May/2014
It is no surprise that this band formed around three Colombian percussionists, because nearly every track has at its core...
Reviewed by Howard Male in issue: Apr/May/2014
All music begins with the human voice, and The Teacups’ success is borne out of their trust in a pure...
Reviewed by Nathaniel Handy in issue: Apr/May/2014
As a firm fan of both Celtic and Latin music, I initially dismissed the idea of a band fusing the...
Reviewed by Jon Lusk in issue: Apr/May/2014
From spicy semba to the hip club beats of kuduro, it is the urban music styles of Angola that are...
Reviewed by Jim Hickson in issue: Apr/May/2014
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