Marking the 50th anniversary of Jamaican independence, this compilation is named after the island’s motto, ‘Out of Many,’ Drawing on...
Reviewed by Neil Foxlee in issue: Nov/Dec/2012
Whilst Shaolin Afronaut’s debut, Flight of The Ancients, wore its influences somewhat overtly on its sleeve, their follow-up sees them...
Reviewed by Chris Menist in issue: Nov/Dec/2012
There has been renewed activity and invention on the Hungarian folk scene in recent years, as a new generation has...
Reviewed by Simon Broughton in issue: Nov/Dec/2012
The San Francisco-based quintet the Crooked Jades rival the Carolina Chocolate Drops as the foremost proponents of pre-radio old-time rural...
Reviewed by Nigel Williamson in issue: Nov/Dec/2012
With the other albums in this series, it was hard not to be impressed by the sheer virtuosity on offer...
Reviewed by Peter Culshaw in issue: Nov/Dec/2012
One of the oddities of Brazilian music is the lack of strong, assertive male vocals: the kind of voices that...
Reviewed by Russ Slater in issue: Nov/Dec/2012
The richness of sub-Saharan West African music continues to unfold before our ears as regional styles are identified and new...
Reviewed by Alastair Johnston in issue: Nov/Dec/2012
South Korea's Geomungo Factory are the most exciting group I've seen in the past year. Contemporary, traditional and inspirational. Their...
Reviewed by Simon Broughton in issue: Nov/Dec/2012
Benoit Viellefon is a 30-something French guitarist and singer who resides in the UK. Viellefon is a dapper dresser –...
Reviewed by Garth Cartwright in issue: Nov/Dec/2012
The raw brass band music that accompanies all important celebrations in the Balkans has been given a serious spit and...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2012
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