At just over two hours long, and with 31 tracks from artists such as Kathleen MacInnes, Lau, Karine Polwart and...
Reviewed by Billy Rough in issue: June/2013
This is an album for lovers of the flute – in this ease the transverse flute known as the dizi...
Reviewed by Keith Howard in issue: June/2013
In early February 2012, a three-day benefit for the Arhoolie Foundation was staged in Berkeley, California, marking the 50th anniversary...
Reviewed by Doug Deloach in issue: June/2013
Flammé Kapaya will be a new name to many. But he spent a decade backing the Congolese singer Werrason in...
Reviewed by Nigel Williamson in issue: June/2013
Towards the end of the 90s, a penchant for turning up new club-friendly tunes encouraged a slew of record aficionados...
Reviewed by Chris Menist in issue: June/2013
On first listen it would be impossible to identify this debut, full-length release from New Zealand harpist and composer Natalia...
Reviewed by Seth Jordan in issue: June/2013
When you’re used to hearing Barking¬born Billy tetchily dissecting the state of the British nation in his sardonic foghorn of...
Reviewed by Matthew Milton in issue: June/2013
This album ranges widely over a number of countries and musical styles, clearly attempting to render music that has a...
Reviewed by Paul Hughes-Smith in issue: June/2013
Though they come from Buenos Aires’ experimental electronic cumbia scene, it’s hard to get away from the fact that Frikstailers...
Reviewed by Russ Slater in issue: June/2013
Peruvian cumbia (or chicha) is the hedonistic cousin of its Colombian counterpart, adding electric guitar and organ to make a...
Reviewed by Russ Slater in issue: June/2013
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