‘I would choose to live back when calypso brought the news’, sings Drew Gonsalves in the opening seconds of Jumbie...
Reviewed by Clyde Macfarlane in issue: June/2013
The complexity, depth and sheer scope of Family Atlantica's debut release means that after a dozen listens you've still only...
Reviewed by Russ Slater in issue: June/2013
Masterminded by Sheer Publishing, better known for placing African-authored songs in homegrown films like Tsotsi and District 9, this triumvirate...
Reviewed by Brendon Griffin in issue: June/2013
Those who read the recent debate in Songlines about global hip-hop and share a fear that the ubiquity of rap...
Reviewed by Nigel Williamson in issue: June/2013
Many listeners admired the king of rai’s last couple of albums, notably Liberté, which heard his characterful voice unchained from...
Reviewed by Peter Culshaw in issue: June/2013
One of the most impressive names to have appeared on the American klezmer scene in recent years has been the...
Reviewed by Simon Broughton in issue: June/2013
The tar (lute) and kamancheh (spike fiddle) are both originally Persian instruments, but talking to musicians in the region, it’s...
Reviewed by Simon Broughton in issue: June/2013
This is the first recording from guitarist Marcus Corbett, who has been active on both the British folk and Indian...
Reviewed by Maria Lord in issue: June/2013
Best known as a British rock label, Island Records actually began life in Jamaica in 1959. Its Harrow–educated founder, Chris...
Reviewed by Neil Foxlee in issue: June/2013
The latest compilation from Seattle-based Sublime Frequencies is a dizzying double whammy of obscurities and information. Documenting the 60s rock...
Reviewed by Chris Menist in issue: June/2013
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