Reviews
Del Diablo y del Angel
Two of Astor Piazzolla’s great suites – Angels’ and ‘Devils’ – evolved ove r many years and, as a consequ–...
Reviewed by Chris Moss in issue: March/2010
A Hajnali Csillag Ragyog
Tcha Limberger’s Kalotaszeg Trio
Violinist Tcha Limberger was born in Belgium to a Romani Gypsy father. His last disc, reviewed in Songlines #60, was...
Reviewed by Simon Broughton in issue: March/2010
Umbrellowhead
Come across this on a shelf and you’ll think you’ve found a new Bellowhead album. But what we have here...
Reviewed by Julian May in issue: March/2010
Grace
The Soweto Gospel Choir has won Grammy awards for its last two albums, so you can’t blame them for tailoring...
Reviewed by Nigel Williamson in issue: March/2010
Zebu Nation
Razia Said is an unfamiliar name in the world of Malagasy music: she has lived outside Madagasca since she was...
Reviewed by Paddy Bush in issue: March/2010
1988
A towering presence in Australian music for two decades, indigenous singer-songwriter Archie Roach’s 1990 debut album Charcoal Lane emotionally connected...
Reviewed by Seth Jordan in issue: March/2010
Out of Sight
The Polish trio Kroke formed back in 1992 and started playing Jewish klezmer in their home city of Krakow –...
Reviewed by Simon Broughton in issue: March/2010
La Part du Feu
This attractive mix of merriment, melancholy, and mystery as much reflects Le Vent du Nord‘s approach to assembling and recording...
Reviewed by Jeff Kaliss in issue: March/2010
Herencia
Cuba’s thrilling music scene is constantly throwing up new artists whose dashing approach takes your breath away. Harold López-Nussa is...
Reviewed by Jan Fairley in issue: March/2010
Warm Heart, Cold Steel
Mr Bongo’s label is internationally known for its exposure of new Brazilian singers, classic reissues and hit remixes, so it’s...
Reviewed by Sue Steward in issue: March/2010
