This second album by Havana-born singer Daymé Arocena partly came about via ‘a platform for contemporary Cuban creativity driven by...
Reviewed by Chris Moss in issue: April/2017
Daniel Sandén-Warg & Sigurd Brokke
As I write, the nominees of the Spellemannprisen, Norway’s Grammy awards, have just been announced. In the category of Best...
Reviewed by Fiona Talkington in issue: Apr/May/2010
Like so many recent releases, multi-instrumentalist, vocalist and producer Daniel Sherrill’s From a Heritage Tree owes its existence, at least...
Reviewed by Doug Deloach in issue: August/September/2022
Garance Louis & the Mitochondries
The genres dipped into are familiar, but it's the idiosyncrasies that this French singer, composer and accordionist brings to her...
Reviewed by Howard Male in issue: July/2018
Markku Lepistö & Mikko Helenius
The sound and grandeur of a vast cathedral, and the intimacy of chamber music: the combination of church organ and...
Reviewed by Fiona Talkington in issue: June/2019
Will Pound's incendiary harmonica playing has overshadowed his mastery of the melodeon – an injustice Through the Seasons puts to...
Reviewed by Julian May in issue: June/2018
Justin Adams feat Anneli Drecker
From his solo debut with 2001's Desert Road through to his production work with Tinariwen, collaborations with Robert Plant and...
Reviewed by Nigel Williamson in issue: August/2017
Young Waters are led by singer, songwriter and guitarist Theo Passington with a trio of string players – violin, viola...
Reviewed by Tim Cumming in issue: October/2018
Hailing from Saint-Étienne’s Algerian community, Dub Inc grew to fame on French radio waves with a unique fusion of reggae,...
Reviewed by Clyde Macfarlane in issue: May/2021
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