Reviews
Capacity to Love
What do you do when you’ve performed from atop the Eiffel Tower, sold out such prestigious venues as the Barbican...
Reviewed by Jane Cornwell in issue: December/2022
Force of the Wind
SOYUZ, which translates as ‘Union’ is a creative collective from Belarus, and this third album is definitely true to the...
Reviewed by Charlotte Algar in issue: December/2022
Altur Mur
You know that bit in From Dusk till Dawn when the film goes from kidnap story to vampire flick with...
Reviewed by Tom Newell in issue: December/2022
De Todas las Flores
Lafourcade's first album of new, original material in seven years shows an artist in command of her many talents but...
Reviewed by Chris Moss in issue: December/2022
Itku
Itku is the third studio album from Okra Playground, a Finnish six-piece who, since their 2015 debut, Turmio, have rightfully...
Reviewed by Chris Wheatley in issue: December/2022
Hlybini
Hlybini means ‘Depths’ in accordionist Aliaksandr Yasinski's native Belarusian. In his first solo album he plumbs these, musically and emotionally....
Reviewed by Julian May in issue: December/2022
Gavin Fairhall Lever
James Patrick Gavin on fiddle and vocals, double bassist Tim Fairhall and Adrian Lever on guitar, vocals, harmonium and piano...
Reviewed by Tim Cumming in issue: December/2022
Trapdoor to Hell
Prodigious young multi-instrumentalist Arthur Coates grew up in Insch in Aberdeenshire listening to his parent's favourite folk music from their...
Reviewed by Doug Deloach in issue: December/2022
For the Night
Cool, hip, vibrant might alone be three words that sum up Elephant Sessions’ forth release, For the Night. Building on...
Reviewed by James Scott Rorison in issue: December/2022
