Can it really be 40 years since the first WOMAD took place at the Royal Bath and West Showground in...
Reviewed by Nigel Williamson in issue: August/September/2022
The French drummer Guigou Chenevier was a founder member of the prog-punk-jazz pioneers Etron Fou Leloublan in 1973. Here he...
Reviewed by Martin Longley in issue: August/September/2022
Brian Molley Quartet with special guest Krishna Kishor
Jazz musicians from Scotland can claim to be the UK’s most exciting exponents on the scene. Saxophonist Brian Molley is...
Reviewed by Liam Izod in issue: August/September/2022
Odia are an international trio who recorded this, their debut album, without actually meeting in person. Founder member Stuart Spence...
Reviewed by Tony Gillam in issue: August/September/2022
Sahel Sounds’ groundbreaking 2011 compilation Music from Saharan Cellphones opened the world’s ears to the massive network of democratic digital...
Reviewed by Jim Hickson in issue: August/September/2022
It’s hard to think of too many bands that can be as divisive as Meridian Brothers. They share the same...
Reviewed by Russ Slater in issue: August/September/2022
Klezmer is by far the most well-known Jewish music genre, to the extent that it is often the only one...
Reviewed by Tom Newell in issue: August/September/2022
Chandra Chakraborty & Saskia Griffiths-Moore
Indian classical singer Chandra Chakraborty is joined by London-based singer Saskia Griffiths-Moore in an album that explore themes of love...
Reviewed by Tom Newell in issue: August/September/2022
Peruvian percussionist Manongo Mujica has always been partial to experimentation, as was clear in his work with the influential jazz...
Reviewed by Russ Slater in issue: August/September/2022
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