Bruno Berle hails from Maceió, Alagoas, a state on the east coast of Brazil that boasts a tight-knit musical community....
Reviewed by Charlotte Algar in issue: August/September/2022
Samba from Berlin? Why not? There has been plenty of choro coming from unexpected places recently, but not so much...
Reviewed by Mark Sampson in issue: August/September/2022
Led by Georgia Shackleton on fiddle and vocals, with Nic Zuppardi on mandolin and Aaren Bennett on guitar, the East...
Reviewed by Tim Cumming in issue: August/September/2022
Following two volumes, the first in South America, and the second spanning Mexico, Central America and the Caribbean, Shika Shika...
Reviewed by Russ Slater in issue: August/September/2022
The cover of this sophomore album by London-based trombonist Justin Thurgur sums up its questing, fizzing, all-for-one spirit. Here, inside...
Reviewed by Jane Cornwell in issue: August/September/2022
With tune titles including ‘Daisy’s Dance’ and ‘Happy Little Phoebe’ (Daisy and Phoebe being the names of Damien O’Kane’s two...
Reviewed by Kevin Bourke in issue: August/September/2022
The Master Musicians of Jajouka led by Bachir Attar
The rustic Wiltshire village of Box in the Cotswolds could hardly be more quintessentially English. The Rev W Awdry, who...
Reviewed by Nigel Williamson in issue: August/September/2022
In 2007, when Jason and Pharis met at a fiddle jam, the former’s reputation as a banjo luthier extraordinaire was...
Reviewed by Doug Deloach in issue: August/September/2022
Having met in Marseille in 2016, Shadi Fathi (setar and shurangiz) and Bijan Chemirani (zarb, daf, percussion) have cultivated a...
Reviewed by Charlie Cawood in issue: August/September/2022
The latest release in Analog Africa’s Limited Dance Edition series throws the spotlight on Gabon’s Orchestre Massako, founded by Jean-Christian...
Reviewed by Nigel Williamson in issue: August/September/2022
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