Reviews
Don’t Take My Soul
K.O.G (Kweku of Ghana) is back with his third full-length release Don’t Take My Soul. The album focuses on some...
Reviewed by Charlotte Algar in issue: October/2024
Una Ronda Més
Una Ronda Més (One More Round) is the third album from Fenya Rai who hail from Valls, south-west of Barcelona....
Reviewed by Jo Setters in issue: October/2024
Tchopo
Kate Griffin, UK banjo player, and Matchume Zango, a multi-instrumentalist from Mozambique, met online in 2020 during a Making Tracks...
Reviewed by Buzz Bury in issue: October/2024
Òmònílè, Son of the Soil
Singer, composer, guitarist and violinist Atàndá’s Òmònílè, Son of the Soil combines familiar elements of Afrobeat with sophisticated arrangements that...
Reviewed by Doug Deloach in issue: October/2024
Cool Head
Wales’ Georgia Ruth wooed all with her voice and harp playing on 2013’s In the Pines, which saw her nominated...
Reviewed by Russ Slater Johnson in issue: October/2024
Iroko
The Cuban pianist, Omar Sosa, has worked with artists and picked up awards around the world. Here, he partners with...
Reviewed by Mark Sampson in issue: October/2024
Loud and Clear
Active for 20 years, Otava Yo are probably the most successful Russian band on the world music scene with their...
Reviewed by Simon Broughton in issue: October/2024
Ritmo Satánico
The Madrid-based label has assembled this collection of a cool dozen vocal and instrumental tracks from the late 60s to...
Reviewed by Mark Sampson in issue: October/2024
Jouhikko
Finnish music fans around the world know Logrén as the fiddle player in the legendary band Värttinä. What they might...
Reviewed by Fiona Talkington in issue: October/2024
Maqeda
The Atse Tewodros Project is the brainchild of singer Gabriella Ghermandi, and the project’s second album is a tribute to...
Reviewed by Jim Hickson in issue: October/2024
