Now this truly is a musical treasure to stumble upon: back in 1969 the noted producer Joe Boyd had befriended...
Reviewed by Garth Cartwright in issue: October/2020
Since her acclaimed 2000 debut, Tanto Tempo, reimagined bossa nova with a brilliant contemporary electronic twist, Gilberto’s career has followed...
Reviewed by Nigel Williamson in issue: October/2020
‘This record is about working hard in the face of adversity, focusing on the positive, questioning the canon and making...
Reviewed by Tim Cumming in issue: October/2020
For the success of her widely acclaimed 2019 Smithsonian Folkways release, Songs of Our Native Daughters (reviewed in #147), Rhiannon...
Reviewed by Doug Deloach in issue: October/2020
Brexit, Trump and the rise of right-wing populism has positively cried out for the militant intervention of Asian Dub Foundation,...
Reviewed by Nigel Williamson in issue: October/2020
In both senses of the term, Johannesburg’s Zoë Modiga is a new world star. Her ancient-to-future energy swirls from a...
Reviewed by Jane Cornwell in issue: October/2020
Harry Roesli was a political and social activist and prominent member of the tradisi baru (new tradition) Indonesian artists who...
Reviewed by Andy Channing in issue: October/2020
Last year Trojan Jamaica released Red, Gold, Green and Blue, a selection of covers of sacred blues and soul works...
Reviewed by Clyde Macfarlane in issue: October/2020
I’ve met Mexicans into Spanish oi, Bolivians addicted to Jamaican ska, and Argentinians obsessed with Celtic folk. They produce fanzines,...
Reviewed by Chris Moss in issue: October/2020
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