Reviews
Moon Over Ci. Ruins
This remarkable album explores the shared history of music between ancient China, specifically the Tang Dynasty (seventh to tenth century...
Reviewed by James Catchpole in issue: June/2020
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Maghreb K7 Club: Synth Raï, Chaoui & Staifi (1985-1997)
This compilation is a microcosm of Lyon's Maghreb music scene between 1985-1997. Most of the scene in the said city...
Reviewed by Yousif Nur in issue: June/2020
Palaces
Electric Vocuhila, a French quartet founded ten years ago in Berlin as part of a musicians’ co-operative, display an impressive...
Reviewed by Julia in issue: June/2020
The Singer of Tales
The sevdah of the western Balkans, especially associated with Bosnia and Herzegovina occupies a space between folk and art music,...
Reviewed by Kim Burton in issue: June/2020
All is Not Forgotten
All is Not Forgotten follows on from Miller's 2018 release Mercury, and a very pleasant follow-up it is too. New...
Reviewed by Billy Rough in issue: June/2020
Sabotage and Tradition
This is Lakvar's debut album and it demonstrates the full range of their folk and musical credentials. The first track,...
Reviewed by Buzz Bury in issue: June/2020
In the Parting
Cup O'Joe are the three Agnew siblings from County Armagh who have been making waves on the live circuit since...
Reviewed by Michael Quinn in issue: June/2020
Äiti Maa/Mother Earth
Zäpämmät are a Finnish duo, comprising Marjo Smolander (voice, kantele) and Pauliina Kauppila (voice, berimbau, lamellophones and percussion). Their aim...
Reviewed by Merlyn Driver in issue: June/2020
Time to Fly
The debut duo album from RURA's flautist David Foley and fiddler Jack Smedley is a beautiful, evocative and well-cra.ed release....
Reviewed by Billy Rough in issue: June/2020
