‘First came Gilberto, then Jobim, and now MARCOS VALLE BRAZILIANCE!’ runs the breathless blurb on the original sleeve of this...
Reviewed by Brendon Griffin in issue: April/2020
The magic of like minds, especially musical ones, is that they often seem to meet serendipitously, and nowhere more so...
Reviewed by Jane Cornwell in issue: April/2020
Houdoud, meaning ‘Frontier’, is the second album from the Paris-based ensemble Bab El West, and the theme of exploring borders...
Reviewed by Lucy Hallam in issue: April/2020
On her second album, Mazes, Harri Endersby subtly blurs the line between traditional and contemporary folk music, with added birdsong...
Reviewed by Charlie Long in issue: April/2020
Mixing century-old traditional vocals with the latest sonic technology has always been an attractive yet dangerous musical venture. More often...
Reviewed by Marc Fournier in issue: April/2020
Cladaich Loch Iù marks the debut of Gaelic singer and West Coast native Steven MacÌomhair and a pleasant enough, if...
Reviewed by Billy Rough in issue: April/2020
Leonard Barry, Declan Folan & Shane McGowan
Leonard Barry, Declan Folan and Shane McGowan's long comradeship in countless live sessions pays crisp, spryly accented dividends aplenty in...
Reviewed by Michael Quinn in issue: April/2020
The Serbian group of female singers led by Svetlana Spajić is probably the best known and undoubtedly the most prolific...
Reviewed by Kim Burton in issue: April/2020
The Sorcerers' second album presents itself as the ‘soundtrack to the motion picture,’ but don't be looking for it on...
Reviewed by Jim Hickson in issue: April/2020
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