Souad Massi's career has followed an uneven path since her 2001 debut album, Raoui, earned her a nomination for Best...
Reviewed by Nigel Williamson in issue: Jan/Feb/2020
As one of the strongest live acts on the trad scene for the last couple of decades, and following the...
Reviewed by Billy Rough in issue: Jan/Feb/2020
Asmâa Hamzaoui & Bnat Timbouktou
Much fuss is being made over the young Gnawi maalma (female maalem) Asmâa Hamzaoui, who, still in her early 20s,...
Reviewed by Jane Cornwell in issue: Jan/Feb/2020
Grazie Wirtti & Matias Arriazu
ECM's Carmo imprint is named after the birthplace of one of the parent company's most prolific artists, Egberto Gismonti. After...
Reviewed by Mark Sampson in issue: Jan/Feb/2020
Chilean band Chico Trujillo have been blasting out raw, festive, gig-friendly cumbia for two decades – a significant milestone they've...
Reviewed by Chris Moss in issue: Jan/Feb/2020
This recording – which was created on the farm of bandleader Adrien Kazigira and whittles 40 of his compositions down...
Reviewed by Charlotte Algar in issue: Jan/Feb/2020
Kora player Diabel Cissokho has long explored the connection between blues and the griot tradition, most notably on the album...
Reviewed by Nigel Williamson in issue: Jan/Feb/2020
It's been ten years since Abraham Inc's first album Tweet Tweet and, given the impact it still has now, any...
Reviewed by Tom Newell in issue: Jan/Feb/2020
There are multiple associations that weave around this fourth studio album from Penguin Cafe, Arthur Jefes' successor ensemble to his...
Reviewed by Tim Woodall in issue: Jan/Feb/2020
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