Last year's Parasol Peak release (a Top of the World review in #143) was a milestone in Manu Delago's career....
Reviewed by Alex De Lacey in issue: November/2019
Hell hath no fury like a brassy sextet from Ottawa when riled. This, their ninth album since getting together in...
Reviewed by Mark Sampson in issue: November/2019
The opening of this album sounds like you've stumbled into an astonishing cadenza in the middle of a violin concerto....
Reviewed by Simon Broughton in issue: November/2019
Another offering from Strut Records' Indian Ocean compilation series, this album of Malagasy songs takes a look at one of...
Reviewed by Lucy Hallam in issue: November/2019
It has been seven years since the last album from this San Francisco string quartet led by Irene Sazer (a...
Reviewed by Tim Woodall in issue: November/2019
Hush the Wild Horses is an intimate, unflinching glimpse into the trials and triumphs of singer-songwriter Rachel Harrington. A former...
Reviewed by Doug Deloach in issue: November/2019
Recorded in Oxford with international zeal, this excellent release brings together folk songs traditionally sung by Afghan women, played here...
Reviewed by Jane Cornwell in issue: November/2019
The group's name doesn't give much away, but the plaintive melody on the duduk that opens this album makes its...
Reviewed by Simon Broughton in issue: November/2019
Through a slightly distorted vocal, reminiscent of his early Smog albums, Callahan begins Shepherd in a Sheepskin Vest with a...
Reviewed by Glenn Kimpton in issue: November/2019
The French-born, Rastafari multiinstrumentalist Julien Souletie hit upon a winning formula when he launched his Dub to Mali series in...
Reviewed by Martin Sinnock in issue: October/2019
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