Reviews
This is Broken Folk
Percussionist, tap dancer and performance artist Carli Jefferson toured internationally with the physical theatre group Stomp, before meeting non-binary singer...
Reviewed by Kevin Bourke in issue: Jan/Feb/2020
Humans
This nine-piece, comprising members from the UK, Congo, Italy, France, Argentina and New Zealand, is a fantastic emblem of the...
Reviewed by Charlotte Algar in issue: Jan/Feb/2020
Réveteg
Classically-trained viola player Róbert Lakatos (not to be confused with Roby Lakatos) is a leading fiddler (prímas) on the Hungarian...
Reviewed by Simon Broughton in issue: Jan/Feb/2020
Årsringar
Ellinor & Leonor are a traditional music duo who met in Gothenburg, Sweden, and released their debut album five years...
Reviewed by Nathaniel Handy in issue: Jan/Feb/2020
Music in Our Dreams
There's no question that Jeff Coffin is a fine woodwind player. After all, he spent years playing in the Flecktones...
Reviewed by Robin Denselow in issue: Jan/Feb/2020
Here & There
Folk guitar virtuoso and music professor Dimitris Mystakidis started playing professionally as a 16-year-old in Thessaloniki, inspired by his mother's...
Reviewed by Russell Higham in issue: Jan/Feb/2020
Úrnua
Carl Hession, Eimear Coughlan, Francis Cunningham
The scion of a well-known Count Galway family of traditional musicians, pianist Carl Hession has established himself as a consummate...
Reviewed by Michael Quinn in issue: Jan/Feb/2020
The Victorians
The fourth studio album from the Manchester trio has been three years in the making. It is produced by Darren...
Reviewed by Nathaniel Handy in issue: Jan/Feb/2020
New Music for the 12 String Guitar
In the early 60s, when stereo was a novelty, record labels released demonstration albums introducing listeners to the wonderful world...
Reviewed by Tony Gillam in issue: Jan/Feb/2020
Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music 1892-2017
This compilation is an amazing and expansive labour of love that traces the journey of country music from the very...
Reviewed by Jim Hickson in issue: Jan/Feb/2020
