Luke Daniels' four solo albums since his days as the well-respected button accordion virtuoso heard on Riverdance or with the...
Reviewed by Kevin Bourke in issue: November/2019
The accordion might sound neither very dancy nor particularly occult, but this quartet from Águeda near Porto do something with...
Reviewed by Chris Moss in issue: November/2019
Projeto Arcomusical has the mission statement of bringing joy to the world through the berimbau and their intricate pieces are...
Reviewed by Charlie Long in issue: November/2019
Gyedu-Blay Ambolley & Zantoda Mark III
Ambolley comes from the coastal twin cities of Sekondi and Takoradi in the western region of Ghana and his impressive...
Reviewed by Martin Sinnock in issue: November/2019
Trump's America ought to be a fertile breeding ground for modern protest songs, but if they're out there, we don't...
Reviewed by Nigel Williamson in issue: November/2019
ZeMe was created by two Latvian musicians: DJ Monsta (Uldis Cirulis) and kokle (traditional Latvian zither) master Laima Jansone. Their...
Reviewed by Agnieszka Ujma in issue: November/2019
Teaming up with classical musicians has almost become a rite of passage for the accomplished traditional musician. Sometimes such collaborations...
Reviewed by Matt Milton in issue: November/2019
Pansori, recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity, is a traditional Korean form...
Reviewed by Charlie Cawood in issue: November/2019
For an album with so much variation between and within tracks, the overall cohesion Tita Nzebi achieves in this release...
Reviewed by Lucy Hallam in issue: November/2019
Matia Levréro & Tcha Limberger
Belgian Gypsy violinist Tcha Limberger has featured several times in these pages for his excellent jazz manouche, Hungarian Gypsy and...
Reviewed by Simon Broughton in issue: November/2019
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