Welcome to the Radie Peat academy of drone singing, for the powerful example of Lankum and how they have turned...
Reviewed by Tim Cumming in issue: Aug/Sept/2020
Travesseiro Feliz (Happy Pillow) opens with a Brazilian alt-rock groove, setting the stage for the psychedelic fusion this album promises....
Reviewed by Charlie Long in issue: Aug/Sept/2020
You would be forgiven for mistaking this album for one from the former Soviet Union. It is instead music by...
Reviewed by Mu Qian in issue: Aug/Sept/2020
Night Off, the debut album from Glasgow-based County Durham folk musician Luc McNally, is a highly accomplished affair. Having built...
Reviewed by Douglas Macgregor in issue: Aug/Sept/2020
Pete Morton is unashamedly old school – in the best possible way. He's a fine singer, with a relaxed but...
Reviewed by Robin Denselow in issue: Aug/Sept/2020
From Cape Verde, Ary Morais presents Norcabo, a portrait of his present life in Norway, showcasing the sounds of his...
Reviewed by Tom Newell in issue: Aug/Sept/2020
World music has woken up to the wondrous delights of Somali music over the past few years through reissues of...
Reviewed by Jim Hickson in issue: Aug/Sept/2020
Acclaimed groovesters Lokkhi Terra continue their creative roll, returning to their Bangla-Afro-Latin jazz roots after a wildly successful collaboration with...
Reviewed by Jane Cornwell in issue: Aug/Sept/2020
In 2016, one of the more remarkable musical comebacks came with the release of Lodestar, Shirley Collins’ first recordings for...
Reviewed by Tim Cumming in issue: Aug/Sept/2020
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