Born out of encounters between field songs, grand opera and Latin music in a New Orleans port (among other things),...
Reviewed by Kim Burton in issue: September/2025
Welsh acoustic finger stylist Gwenifer Raymond's second album, Strange Lights Over Garth Mountain (2020), saw a huge leap forward from...
Reviewed by Glenn Kimpton in issue: September/2025
Founded in Nantes by Australian drummer-percussionist Will Guthrie in 2019, Nist-Nah is an ensemble combining Javanese gamelan instruments with other...
Reviewed by Tom Newell in issue: September/2025
Previously unreleased, this pristine recording captures the Pakistani master of the kyhal tradition of Hindustani classical vocal music, Salamat Ali...
Reviewed by Daniel Spicer in issue: September/2025
Lebanese sextet Sanam's second release consolidates the brooding post-rock territory proposed on their 2023 debut, Aykathani Malakon Again, Sandy Chamoun's...
Reviewed by Daniel Spicer in issue: September/2025
Following in the footsteps of influential groups like Bulimundo, Luxembourg-based Cape Verdeans Grupo Pilón have been updating the funaná genre...
Reviewed by Tom Newell in issue: August/2025
Calle Mambo are a five-piece band that combine traditional Chilean instrumentation with synthesizers and modern flourishes to create a hybrid...
Reviewed by Chris Wheatley in issue: August/2025
The assured trio of Cohen Braithwaite-Kilcoyne on melodeon, concertina and vocals, singer and guitarist George Sansome and violinist Lewis Wood...
Reviewed by Tim Cumming in issue: August/2025
Efrén López, Ciro Montanari & Jordi Prats
A welcome return for Spanish/Italian trio, Efrén López, Ciro Montanari and Jordi Prats, who play rabab (Afghan lute), tabla (hand...
Reviewed by Chris Wheatley in issue: August/2025
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