This album is a double dedication, firstly to the 15th-century Sufi poetry of Jami, and secondly to the qawwali master...
Reviewed by Maria Lord in issue: June/2024
Ensemble Hougaku Shijyuusoudan
Japanese musicians have few competitors when it comes to sustaining traditions while subtly updating them for today. Traditions are rarely...
Reviewed by Keith Howard in issue: June/2024
Ibibio Sound Machine started out ten years ago with a self-titled album that matched gospel, West African styles and electronic...
Reviewed by Robin Denselow in issue: June/2024
The simplest and most common description of Kolonel Djafaar’s sound is as a meeting of Ethio-jazz and Afrobeat. And that’s...
Reviewed by Jim Hickson in issue: June/2024
When artists pile on the special guests, sometimes you wish they wouldn’t. However, this nine-piece powerhouse from Leeds have managed...
Reviewed by Mark Sampson in issue: June/2024
Portuguese singer-songwriter Inês Loubet spent five years travelling from Portugal through Brazil, to London, inspiring this, her debut album. It’s...
Reviewed by Huw Hennessy in issue: June/2024
Tarek Abdallah & Adel Shams El Din
Born in Alexandria and based in France, oud-player and composer Tarek Abdallah is a scholar of traditional Arabic music. Much...
Reviewed by Paul Bowler in issue: June/2024
Avalanche Kaito’s 2022 self-titled debut was a triumph of noise punk indelibly informed by griot music from Burkina Faso. Since...
Reviewed by Jim Hickson in issue: June/2024
Ahmad Al Khatib & Kaveh Mahmudiyan
Ahmad Al Khatib and Kaveh Mahmudiyan have created Hiva, an album of traditional Ottoman-styled oud and percussion commissioned by Global...
Reviewed by Yousif Nur in issue: June/2024
It’s reassuring that some things don’t change. For their second album, the Brussels-based international trio of former street musicians follow...
Reviewed by Mark Sampson in issue: June/2024
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