Nduduzo Makhathini, the South African pianist, composer, healer and philosopher, offers his third Blue Note Records album, uNomkhubulwane. This remarkable...
Reviewed by Hillary Palesa Morusi in issue: July/2024
The city of Rio de Janeiro oozes out of the rhythms and words of this double album by Latin Grammy-nominated...
Reviewed by Andy Cumming in issue: July/2024
While Djalma Corrêa (1942-2022) is renowned for his research into Afro-Brazilian percussion and his work with the Tropicalistas Doces Bárbaros,...
Reviewed by Andy Cumming in issue: July/2024
Grace Petrie is a Leicester-born singer-songwriter and musical activist who sounds better, and angrier, with every new album. She started...
Reviewed by Robin Denselow in issue: June/2024
Jenny Sturgeon & Boo Hewerdine
The title of this collaboration between singer-songwriters Jenny Sturgeon and Boo Hewerdine encapsulates the lockdown experience in which it was...
Reviewed by Nathaniel Handy in issue: June/2024
Many albums are ballyhooed for their ‘historic’ significance. Most are truly significant only as gap-fillers on the shelves of completist...
Reviewed by Doug Deloach in issue: June/2024
When one hears of a duo comprised of Portuguese guitar and classical guitar, fado understandably pops into mind. But although...
Reviewed by GonÇalo Frota in issue: June/2024
Hulbækmo & Jacobsen Familieorkester
My first encounter with Hans Hulbækmo was when he was a final year student at the Trondheim Conservatoire, the outstanding...
Reviewed by Fiona Talkington in issue: June/2024
Carme López plays the Galician gaita (bagpipes), but for this debut album she’s dedicated to what sounds like the deep...
Reviewed by Martin Longley in issue: June/2024
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